Not only is he extremely talented, he was collaborative in every sense of the word. If you can't tell, I like the guy an awful lot. How is your working relationship with Isaac? I could see that my dialogue was already tight so I could just cut since it wasn't necessary because the story is being told in visual form. So I thought "I got this." But when we got the proof and saw the amazing, transformative art. Like my messaging books that are just girls talking. I've written books that are only dialogue.
The other part of it that was cool was I could be wordy in the panel description, not that I had to worry about that, but it was a message to And when you look at the dialogue, I always thought dialogue was my strength and setting is not. You can't have them talking this much." So I had to streamline my own writing and it made me a better writer. Some of the first pages of the scripts I sent in to my editors they came back like "you cannot have 15 panels on a page. DC set me up with some fabulously good trainers. So I read as many comics and graphic novels as I could. I guess I always have that mentality of "you give me a challenge I'm going to rise to the occasion." There were so many things I learned along the way, but in terms of the writing, it's crazy hard. You go from the young adult publishing to a world of comic book publishing and working with DC Comics. It's not just a move from prose to graphic novels it's a new culture. I did do a lot of preparation and research.
You're well known for your prose stories and now you're making the jump to the graphic novel/comic world.
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